Iris Miranda practices printmaking, and her particular relationship with this art undoubtedly comes from the fascination she felt as a child in front of the contrasting and minute details of the anatomical plates of ancient engravers.
She sees in these open bodies, these flowering of organs, the aesthetic deployment of a subjective interiority, the incarnation of both pain and the pleasure of living.
Since then, his tools plowing wood or metal have generated a sensitive and organic graphic material, raw and delicate, tirelessly seeking to capture the stirrings of desire, intimate, universal and mysterious.
